Votre panier est vide
Besoin d'inspiration ?
Rendez-vous dans le programme en ligne du GrandPalais
Article -
In China
The art of ceramics had a key place in Chinese courts. In the 8th century, statuettes (Mingqi) from the Tang Dynasty (618-907) rivalled each other for elegance and originality. There was a wide variety of subjects: court ladies, public officials, dancers, traders travelling in caravans, etc. Porcelain, manufactured in China since the first centuries of our era, became an exceptionally high quality ceramic due to its durability, its whiteness and above all its translucency, obtained from the 11th century. Under the Yuan Dynasty (1279-1368), it was covered with cobalt blue and was increasingly manufactured in order to be sold to other countries (Korea, Japan, Iran, etc.).
In Europe
In Europe, this ceramic is only mentioned from the 13th century, following the travels of the famous Marco Polo. From the 15th century, its blue and white decorated pieces would be admired and envied by numerous countries who would try for centuries to imitate it, to find the secret of this “white gold” which would only be revealed in the 18th century.
The Byzantine Empire
The Byzantine Empire produced glazed ceramics. The Islamic world invented faience (in Mesopotamia in the 8th or 9th century). It covered every surface, from the floor to the walls. Decorated with geometrical and floral motifs, as well as people, it was sometimes produced in metallic colours to imitate silver and gold and would spread to the whole of the Mediterranean basin. Also produced in Spain, where it is referred to as Hispano-Moorish ceramic, it was the inspiration for the first Italian majolicas of the Renaissance.
Votre panier est vide
Besoin d'inspiration ?
Rendez-vous dans le programme en ligne du GrandPalais
See content : Tickets now on sale for the exhibitions of Grand Palais d'été 2026
Bâtiment, 2004. Digital print on linoleum, lights, iron, wood, and mirror Le Centquatre, Paris, 2011
Article -
You'll never see the world the same way again! Book your tickets to discover, under the glass roof of the Grand Palais or in its exhibition galleries, the large-scale projects by international contemporary artists Leandro Erlich and Laure Prouvost: two exhibitions included in the 2026 summer season Grand Palais d'été, two singular universes... and an invitation to experiment with new ways of perceiving reality.
See content : Endless assembly, by Alice Leroy
Nan Goldin, Self Portrait at New Year’s Eve, Malibu 2006 in Memory Lost
Article -
On the occasion of the exhibition devoted to Nan Goldin at the Grand Palais until June 21, 2026, Alice Leroy, teacher-researcher and film critic, offers a series of texts exploring her work through the prism of cinema. This text focuses on the way her...
See content : Nan Goldin and the No Wave, by Alice Leroy
Brian and Nan in Kimono, 1983
Article -
On the occasion of the exhibition devoted to Nan Goldin at the Grand Palais until June 21, 2026, Alice Leroy, lecturer, researcher and film critic, offers a series of texts exploring her work through the lens of cinema. HHere, she looks back at the...