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In China
The art of ceramics had a key place in Chinese courts. In the 8th century, statuettes (Mingqi) from the Tang Dynasty (618-907) rivalled each other for elegance and originality. There was a wide variety of subjects: court ladies, public officials, dancers, traders travelling in caravans, etc. Porcelain, manufactured in China since the first centuries of our era, became an exceptionally high quality ceramic due to its durability, its whiteness and above all its translucency, obtained from the 11th century. Under the Yuan Dynasty (1279-1368), it was covered with cobalt blue and was increasingly manufactured in order to be sold to other countries (Korea, Japan, Iran, etc.).
In Europe
In Europe, this ceramic is only mentioned from the 13th century, following the travels of the famous Marco Polo. From the 15th century, its blue and white decorated pieces would be admired and envied by numerous countries who would try for centuries to imitate it, to find the secret of this “white gold” which would only be revealed in the 18th century.
The Byzantine Empire
The Byzantine Empire produced glazed ceramics. The Islamic world invented faience (in Mesopotamia in the 8th or 9th century). It covered every surface, from the floor to the walls. Decorated with geometrical and floral motifs, as well as people, it was sometimes produced in metallic colours to imitate silver and gold and would spread to the whole of the Mediterranean basin. Also produced in Spain, where it is referred to as Hispano-Moorish ceramic, it was the inspiration for the first Italian majolicas of the Renaissance.
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See content : 5 things to know about Paul Cezanne before visiting the exhibition
Paul Cezanne, Pichet de grès, 1893-1894, Fondation Beyeler, Riehen-Bâle
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Considered one of the pioneers of modern art, Paul Cézanne had a profound impact on art history. Yet his work long baffled his contemporaries. Why did he paint so many apples? Which artists did he inspire? And why does his work resonate so strongly today? Here are five keys to better understanding his influence before visiting the exhibition “Cezanne and Us,” on view at the Grand Palais through January 17, 2027.
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See content : "Cezanne and us": 5 resources to guide you
Paul Cezanne, La Montagne Sainte-Victoire au grand pin, vers 1887, huile sur toile, 66.8 x 92.3 cm
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