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The art of Vigée Le Brun reflected the evolution in French society...
... which was impressed by the ideas set out in Jean-Jacques Rousseau’s book Emile, and people attached greater importance to the bonds uniting a mother and her children.
Extolling this maternal love, the portrait artist produced two «iconic» paintings of herself with her daughter Julie.
She also painted many pictures of children alone or in the company of their mother. She often used the compositions of Raphaël as models to produce these pictures. Exhibited at the Salon and appreciated by the critics, these paintings prompted other artists to depict the same subjects.
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See content : Russia : a new homeland for Élisabeth Louise Vigée Le Brun
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Vigée Le Brun arrived in St. Petersburg on 23 July 1795, and was officially presented to Catherine II the following day.
See content : Elisabeth Louise Vigee Le Brun and female competition
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Elisabeth Louise Vigée Le Brun and Adélaïde Labille-Guiard were both portraitists and were both received into the Royal Academy of painting and sculpture in 1783.
See content : Royal tapestries: a never-before-seen commission revealed at the Grand Palais
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16 monumental tapestries, imagined by Danish artists and woven in France, are exceptionally reunited in Paris before reaching their final destination: Koldinghus Castle in Denmark. This unique royal commission is currently on display in the heart of the...