Votre panier est vide
Besoin d'inspiration ?
Rendez-vous dans le programme en ligne du GrandPalais
Article -
La sculpture en pierre qui a résisté aux aléas du temps est mieux connue que la sculpture en bois, matière périssable, ou en bronze, métal souvent refondu pour d’autres usages.
Stone sculpture which has resisted the ravages of time is better known than sculpture in wood, which is perishable, or bronze, which was often melted down for other uses. It decorates the exterior and interior of buildings (temples, palaces, villas, tombs), presented as a frieze, relief, haut-relief or in-the-round. Sculpture comes in various sizes : it may be monumental, life size or reduced to small models of a few centimetres. Ancient sculptors favoured local materials: granite or greywacke in Egypt, marble in Greece, jade in China… Over the centuries, they developed astonishing talent. Mastering techniques, they defied the material and gave it increasingly realistic forms (resembling reality).
Votre panier est vide
Besoin d'inspiration ?
Rendez-vous dans le programme en ligne du GrandPalais
See content : Drawing with scissors: Henri Matisse's cut-out gouache technique
Henri Matisse, Zulma, début 1950
Article -
At nearly 80 years old, Matisse reinvented himself: he no longer painted, but cut directly into color. With his scissors, he invented a free, direct gesture that gave birth to figures of rare power. A new creative impetus driven by the cut-out gouache technique, whose history and artworks can be discovered at the Grand Palais until July 26 !
See content : Barbara Forever, by Alice Leroy
Barbara in Mask, Washington D.C
Article -
On the occasion of the exhibition devoted to Nan Goldin at the Grand Palais until June 21, 2026, Alice Leroy, teacher-researcher and film critic, offers a series of texts exploring her work through the prism of cinema. In this article, she returns to the...
See content : Hilma af Klint's Paintings for the Temple: a mission guided by angels
Article -
Presented at the Grand Palais until August 30, 2026, the Paintings for the Temple is the most ambitious project of Hilma af Klint's artistic life. Visionary, mystical and deeply singular, the Swedish painter developed between 1906 and 1915 a monumental...