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Le tour du potier, inventé au IVe millénaire avant J.-C., se répand durant l’Antiquité. Les parois des vases sont plus régulières, plus fines et plus lisses. Les céramiques sont plus élégantes.
The potter’s wheel, invented in the 4th millennium BC, became widespread throughout Antiquity. The walls of vases become more regular, finer and smoother. Ceramics are more elegant. Middle Eastern potters, in particular Greeks and Etruscans, developed numerous forms: the krater, amphora, cup, aryballos, pyxis, oenochoe, etc. Their walls are richly decorated. The Egyptians produced faience with translucent turquoise blue glaze. The Chinese were already the great masters of the art of ceramics. They modelled, sculpted it and transformed it into an army of soldiers guarding the Emperor Qin Shi Huangdi in his tumulus, his final resting place. Under the Han Dynasty, small statuettes called Mingqi were placed in tombs. The first ceramics made from kaolin (clay used for porcelain) appeared. They were enamelled in blue or green.
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See content : Tickets now on sale for the exhibitions of Grand Palais d'été 2026
Bâtiment, 2004. Digital print on linoleum, lights, iron, wood, and mirror Le Centquatre, Paris, 2011
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You'll never see the world the same way again! Book your tickets to discover, under the glass roof of the Grand Palais or in its exhibition galleries, the large-scale projects by international contemporary artists Leandro Erlich and Laure Prouvost: two exhibitions included in the 2026 summer season Grand Palais d'été, two singular universes... and an invitation to experiment with new ways of perceiving reality.
See content : Nan Goldin and the No Wave, by Alice Leroy
Brian and Nan in Kimono, 1983
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On the occasion of the exhibition devoted to Nan Goldin at the Grand Palais until June 21, 2026, Alice Leroy, lecturer, researcher and film critic, offers a series of texts exploring her work through the lens of cinema. HHere, she looks back at the...
See content : The slideshow community, by Alice Leroy
Picnic on the Esplanade, Boston, 1973
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On the occasion of the exhibition devoted to Nan Goldin at the Grand Palais until June 21, 2026, Alice Leroy, lecturer, researcher and film critic, offers a series of texts exploring her work through the lens of cinema. Between slideshows and...