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Portrait of Niki de Saint Phalle

Black and white portrait photo of Niki de Saint Phalle
Lennart Olson, Hallands Konstmuseum

Niki de Saint Phalle at her shooting session realized in a courtyard in Stockholm, on May 14 1961, before the opening of the exhibition "Rörelse i konsten" at the Moderna Museet (May 17-September 3, 1961)

Painter, sculptor and performer Niki de Saint Phalle left her mark on art history with her imaginative, colorful and political creations. As a key figure of the twentieth century, she shook up codes with her monumental creations and uncompromising commitments. Portrait of a free and flamboyant artist!

One of the most influential figures of the 20th century

A visual artist, painter, sculptor, filmmaker and pioneer of performance art, Niki de Saint Phalle was one of the first women artists to achieve fame during her lifetime, in the early 1960s. Behind "the woman who shoots" lurks an artist whose singular practice stands out for its violence and commitment.

Black and white portrait photo of Niki de Saint Phalle
Lennart Olson, Hallands Konstmuseum

Niki de Saint Phalle at her shooting session realized in a courtyard in Stockholm, on May 14 1961, before the opening of the exhibition "Rörelse i konsten" at the Moderna Museet (May 17-September 3, 1961)

A citizen of the world

French by birth, naturalized American, then Swiss, Italian at heart, Niki de Saint Phalle is a citizen of the world as she likes to describe herself. Born in 1930 in Neuilly-sur-Seine and died in 2002 in San Diego, Niki de Saint Phalle, whose real name is Catherine Marie-Agnès Fal de Saint Phalle, grew up between two cultures. Born into a noble French family on her father's side, she spent her childhood between France and the United States. From an early age, she showed a keen interest in art. She drew, staged a play and took drama classes. At 17, she became a model, before quitting everything a few years later to devote herself solely to her work as an artist.

J.Paul Getty Trust, gift of the Roy Lichtenstein Foundation in memory of Harry Shunk & Janos Kender

Niki de Saint Phalle and Jean Tinguely, impasse Ronsin, Paris, 1961 © Centre Pompidou, MNAM-CCI, Bibliothèque Kandinsky/Fonds Shunk et Kender/Dist. GrandPalaisRmn. Photo Shunk-Kender © J. Paul Getty Trust, all rights reserved. Gift of the Roy Lichtenstein Foundation in memory of Harry Shunk

Nouveau Réalisme artist... but not only

While Niki de Saint Phalle was not one of the founders of Nouveau Réalisme, she was close to two of its members: sculptor Jean Tinguely, with whom she was a companion, and Daniel Spoerri. It was during the artist's first "Tir" in 1961 that Pierre Restany invited her to join the group. The spectacular nature of her work and Niki de Saint Phalle's great beauty made her one of the most publicized members of the Nouveau Réalisme movement. But while the artist is often linked to the Nouveau Réalisme, her art actually developed in several directions, most often in connection with the defining experiences of her life.

A committed artist

As a woman and rebellious artist, Niki de Saint Phalle made her art the site of many battles. Women's emancipation in particular is at the heart of her work. From the mid-1960s, she populated the world with Nanas, these colorful female figures with generous curves. At a time when women's aspirations were still largely limited, the optimistic, active Nanas represented a liberating imagination. Monumental, colorful, they assert their presence, emancipation and power.

Niki de Saint Phalle's work is in essence a work of tolerance. Having grown up partly in the United States while racial segregation was still at stake, the artist was sensitive to the cause of African-Americans from an early age. Finding black personalities insufficiently recognized, in 1998 she dedicated a series of sculptures to them: the Black Heroes, including the monumental portrait of trumpeter Miles Davis.

A creator of monumental works and art accessible to all

Niki de Saint Phalle is the creator of art widely open to the public. There's a twofold desire in the artist: to go beyond the restricted confines of the museum to meet everyone, but also to confront monumental sculpture, a field traditionally reserved for men.

This vision led to his major life project: the Jardin des Tarots, in Tuscany. Inaugurated in 1998, this dreamlike park populated by giant female figures and fabulous creatures blends architecture, sculpture, mosaics and spirituality. A total, joyful work, open to all.

Sculpture Hon (femme sur le dos) en couleurs avec visiteurs au premier plan en noir et blanc
2025, Niki Charitable Art Foundation / ADAGP, Paris / Hans Hammarskiöld, Hans Hammarskiöld Heritage

Niki de Saint Phalle, Photo de la Hon repeinte, 1979 (détail)

A plastic language to (re)discover

Get to know this multi-faceted artist during Niki de Saint Phalle, Jean Tinguely, Pontus Hulten exhibition, presented from June 26, 2025 to January 4, 2026 at the Grand Palais. An excellent opportunity to (re)discover the emblematic works of these major figures of twentieth-century art, along a historical and playful journey, where art, love, friendship and commitment are intertwined.

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